湖北的导游词精选范文(精选3篇)
湖北的导游词精选范文 篇1
各位游客:
你们好!
首先请允许我代表神农架人对大家来神农架观光旅游表示热诚的欢迎!
此次神农架之旅,将游览神农顶、香溪源、天燕、玉泉河四大旅游区,线路较长,旅途比较辛苦,我们将本着“宾客至上,服务第一”的宗旨,尽心尽力地做好服务工作,同时也希望我们的工作能够得到各位游客的支持和配合,促使我们提高服务质量,从而使大家吃得满意,住得舒适,玩得愉快,游得开心,乘兴而来,满意而归。
神农架旅游资源独具魅力,遐迩闻名,誉满中外。国家旅游局、湖北省政府已将神农架作为全国生态旅游示范区和鄂西北绿色旅游圈的龙头进行重点开发。神农架林区党委、政府确立了“立足保护,发展旅游产业,发展绿色产业,构建生态经济体系,建设富裕文明神农架”的建设方针,决心把神农架建成国内一流、国际知名的旅游精品。
神农架之旅,除传统的观光揽胜游、度假休闲游之外,还有许多各具特色的旅游项目可供选择。如:“神农架‘野人’觅踪游”。野人是世界四大谜之一。在中国,3000多年前就有关于野人的记载,神农架是发现“野人”次数最多的地区,迄今为止目击“野人”已达114次,约有360多人看到138个“野人”活动形象。如果运气好,追踪“野人”或许能一睹“野人”的风采。
还有“神农架森林沐浴行”。神农架森林原始程度高,覆盖面积大,森林覆盖率已超过88%,活立木蓄积量20xx万立方米,其中林业管理局(国家森林公园)910.9万立方米,国家级自然保护区814.9万立方米,是开展森林浴的理想场所。
最后还要推荐一下“神农架高山滑雪游”。神农架冬季有“南方雪国”之称,降雪量大,存雪期长,雪质可与阿尔卑斯山的积雪媲美。冬天降临,大雪纷飞,山野苍茫,满树琼花,冰清玉洁。在雪道上滑行,可以体验到飞翔的快乐。
各位游客:今天大家来到神农架,有保存完好的生态等待着您去考察;有许多难解的自然之谜等待着您去探索;有古朴的民风民俗等着您去领略;有壮美的自然风光等待着您去欣赏。但愿神农架之旅能成为您度假的天堂。预祝各位旅行期间身体健康,万事如意。谢谢!
农架概况
神农架位于湖北省西部边陲,东与湖北省保康县接壤,西与重庆市巫山县毗领,南依兴山、巴东而濒三峡,北倚房县、竹山且近武当。地跨东经109°56′—110°58′,北纬31°15′—31°57′,总面积3253平方公里,辖4镇4乡和1个林业管理局(国家森林公园)、1个国家级自然保护区,总人口8万人。是我国唯一以“林区”命名的行政区。
远古时期,神农架地区还是一片汪洋大海,是燕山和喜马拉雅造山运动将其抬升为多级陆地,成为大巴山东延的余脉。山脉呈东西方向延伸,山体由南向北逐渐降低。山峰多在海拔1500米以上,其中海拔2500米以上的山峰有20多座。最高峰神农顶海拔3105.4米,为“华中第一峰”。西南部的石柱河海拔398米,是神农架的最低点,最高点与最低点的相对高差为2707.4米。
神农架是长江和汉水的分水岭,境内有香溪河、沿渡河、南河和堵河4个水系。由于该地区位于中纬度北亚热带季风区,气温偏凉而且多雨,海拔每上升100米,季节相差3—4天。“山脚盛夏山顶春,山麓艳秋山顶冰,赤橙黄绿看不够,春夏秋冬最难分。”是神农架气候的真实写照。由于一年四季受到湿热的东南季风和干冷的大陆高压的交替影响,以及高山森林对热量、降水的调节,形成夏无酷暑,冬无严寒的宜人气候。当南方城市夏季普遍高温时,神农架却是一片清凉世界。
独特的地理环境和立体小气候,使神农架成为我国南北植物种类的过渡区域和众多动物繁衍生息的交叉地带。神农架拥有各类植物3700多种(菌类730多种,地衣190多种,蕨类290多种,裸子植物30多种,被子植物2430多种,加上苔藓类可达4000种以上),其中有40种受到国家重点保护;有各类动物1050多种(兽类70多种,鸟类300多种,两栖类20多种,爬行类40多种,鱼类40多种,昆虫560多种),其中有70种受到国家重点保护。几乎囊括了北自漠河,南至西双版纳,东自日本中部,西至喜马拉雅山的所有动植物物种
湖北的导游词精选范文 篇2
Good morning ladies and gentlemen;
Today, we will go to visit Hubei Provincial Museum. On the way to the museum, I ‘d like to show a present to express my warmest welcome to you. You may wonder what the present is. Well let me introduce it to you. The music you are going to listen to is the very gift. Now, please enjoy the music.
Have you ever listened to the music? And what musical instrument is used to play the beautiful melody?
That’s the serial bells, a wonder in the world. Indeed a wonder in the world. Every year tourists from all over the world continuously come to visit them and appreciate the programs played by it. Each year they return with unforgetable memory.
The building with red wall and green tiers before us is the very museum, Hubei Provincial Museum. Constructed in 1953, the museum is the center for collecting, studying, preserving and displaying historical and cultural relics in Hubei. More than 700,000 ancient relics are stored up in it. There is a collection of 100,000 books on history, archaeology, art etc. These relics provide precious material data for studying the development of history, culture, art, science and technology in ancient China.
Situated in the middle reach of the Yangtze River, Hubei has a long history and rich land. As early as 2,000,000 years ago, our ancestors lived and worked here and gradually they began to create their own civilization. The relics unearthed from Zenghouyi Tomb are good proofs to the civilization. The relics displayed in the museum are most from the tomb. Serial bells are the most precious and greatest of them all.
Are you familiar with the history of the serial bells?
It is said that it is the oldest musical instrument kept in the world. You see, our ancestors already knew how to use music to enrich their lives so long ago.
Luckily indeed, our archaeologists discovered it by accident and thus displayed the marvelous ancient civilization of Chu State in front us.
In 1978, a soldier discovered a large tomb when building his house. It was really a great surprise to discover it at that time. Afterwards, archaeologists excavated these serial bells on the same spot. This was appraised to be the tomb of Zenghouyi. It was220 square meters, 20 metros deep, consisting of 4 tombs. The main coffin was made up of huge internal and external coffins. The man in it died at the age of 45. Those buried alive with the dead were all female, aged from 13 to 25. They were in 21 coffins.
Besides the serial bells, more than 7,000 other historical cultural relics have been unearthed, such as bronze ware, ancient musical instrument, weapons, golden ware, jade ware, painted ware, wooden ware, and bamboo ware. Most of them are unique art treasure and they were deliberately made.
What is especially worth mentioning is the ancient musical instrument, such as serial bells, stone chimes, drums, 25-stringed plucked zither, and bamboo flute. They are totally 8 types, including 124 pieces. The entire musical instrument is placed perfectly among the bronze serial bells. They make the tomb look like an ancient concert hall.
Today the underground concert hall has come back to life. As a major instrument, 64 serial bells are put in the middle room, lined along the north and west wall. It can be concluded that serial bells are Zenhouyi’s favorite, for his body was placed in the west room.
As wee see, these big bells are shaped like round-bottomed baskets; small ones are like warming pots. They are hung in 3 layers from the winding bell shelf that is 13 meters long, 2.7 meters high. The whole bell shelf is supported by 6 human-shape objects. It is as strong as newly cast.
Ok, let me give you a brief introduction about the elegant ancient serial bells. All the bells have been played. They are all carved with inscription about musical melody. Each bell can produce 2 pitches. After many years of research, we find that its amplitude approached the international level of today. The combined scale is the 7 notes in C major of today. Its compasses very side, including 5 and a half octaves. The whole sound may be adjusted. Its wooden shelf is quite exquisite. Although buried for 2,400 years, the serial bells are well played. It not only can be used to play with to produce scores with the same melody, but also can produce mixed sounds though harmony and repeat tunes. Chinese musical pieces, such as Intoning Three Times Before Leaving Yang Pass, The Moon On The Spring River, and foreign pieces, such as Christmas Eve, can be played on it, even Beethoven’s Ode to Joy in the Ninth Symphony can be. Foreign tourists are usually attracted by the fascinating music when listening to the Chinese song The Night On The Prairie. When foreign songs cut in, they are shocked by the old civilization of Chu State. As the famous violinist, Menuin praised it, ‘The grand Greek music is accepted by the world. However, the musical instruments in ancient Greece were made of wood, what’s more, not a single instrument is kept till today. Here we are able to enjoy the sound of the instrument of 2,000 years\\\' history from the tomb of Chu State.
Actually, whoever enjoys the music played on the serial bells will be surprised at the great achievement made by the people of Chu State in the fields of music, culture, smelting, and casting.
According to the history, Chu State was called the state of rites and music at that time. People in Chu State love dancing. They danced in the palace and sang in the room. They knew how to enjoy dancing and singing. We can imagine the following scene. The host of the bomb was seated in his palace and watched the girls dancing. On both his sides sat his followers. They sat on the floor. A table with short legs was placed in front of them. They put one hand on the table that is used to hold arms. This can be proved by the relics in the tomb.
Do you know, in China, a male and a female mandarin ducks are the symbol of love, for they often play together in the water and live together. Can you see the box here? This box was found in the tomb. The box was painted. It was empty in it. But there are some pictures. They describe a very vivid situation; some people are striking bells, beating drums and dancing. This picture is very precious, for we can know how these instruments should be played, especially the serial bells.
I wonder if you have noticed that there is only one mandarin duck on the box. Do you know why? Oh, he is abandoned by his lover. But he found a new company—music. He didn’t heed the other mandarin duck, for what he really loved was music.
Well, I have a question. What is the tourists’favorite?
The music played on the serial bells.
湖北的导游词精选范文 篇3
各位朋友,大家好,非常欢迎大家来到美丽的江城武汉!我是来自旅行社的导游员,今天就由我来为各位提供导游讲解服务,我一定会尽力安排好各位的行程,让大家在这次旅游活动中感到开心愉快。
下面就请大家随我一起去游览著名的“知音文化”发祥地——古琴台。
古琴台,又名伯牙台,位于汉阳龟山西脚下美丽的月湖之滨,是一处环境幽雅,风景宜人的游览胜地。它与黄鹤楼,晴川阁并称为武汉的三大名胜。
首先我给大家介绍一下古琴台的来历。古琴台是为纪念春秋战国时期俞伯牙弹琴得遇知音钟子期的一段佳话而修建。关于这两位音乐大师相遇成知音的动人故事,最早见于《吕氏春秋·本味》和《列子·汤问》篇中。据记载,楚国有个姓俞名伯牙的文人在晋国为官,琴、棋、书、画样样娴熟,尤其是他弹奏七弦古琴的技艺,可谓天下无双,然而“曲高和寡”,俞伯牙一直遇不到能够听懂他琴韵的有识之士。一日,俞伯牙乘船顺汉水而下,路过汉阳,由于天色已晚,又不巧遇到了阵雨,只得把船停在龟山脚下避雨,改日启程。不久,雨过天晴,伯牙走出船舱,远望天际,只见水天涟涟,近看眼前,满目一片荒凉,心中郁郁不乐,于是抱起七弦古琴,坐在船头弹拨解闷,忽然琴弦断了一根,伯牙很是惊奇。俗话说,弦断必有人听。俞伯牙断定附近一定有一个很精通音律的人在听他弹琴,于是便上岸寻找。在龟山的一棵大树下,他看见了一个衣服破旧的樵夫。经询问,樵夫名叫钟子期,他是被琴声所吸引,寻声至此。
俞伯牙听后十分高兴,与钟子期攀谈起来。原来钟子期也是一个爱好操琴、深谙音律的隐逸之士。为了测试一下子期的音乐素养,伯牙重整琴弦,请他听琴,就奏了两支乐曲,让子期猜度其中的含义。俞伯牙奏的第一支曲子叫“高山操”,其意在高山。奏罢,子期赞道:“巍巍呼,若高山”;伯牙奏的第二支曲子叫“流水操”,其意在流水。奏罢,子期又赞道:“荡荡呼,若江河”。伯牙听了,急接子期上船入座,两人相谈甚欢,只觉相见恨晚,于是结成好友。临别时,两人约定来年相会,说完便挥泪分手。
第二年,俞伯牙按约前来,却久等不见钟子期,于是上岸寻至子期家中,方知子期已经病故了。子期的父亲告诉伯牙,子期在弥留之际,还念念不忘与伯牙的约定,并要将其安葬在和伯牙论琴的地方,以待伯牙的到来。伯牙闻之,十分悲伤。他来到钟子期的墓前,挥泪重弹“高山”、“流水”之曲,寄托哀思。他一边弹奏,一边吟哦:
摇碎瑶琴凤尾寒,子期不在向谁弹?
春风满面皆朋友,欲觅知音难上难!
弹罢,伯牙举起七弦琴,狠狠的朝石头上砸下去,只听嗡嗡的一阵响,七弦琴粉身碎骨,琴片四处飞溅,跌入汉水之中,随着汉水流入了远方。伯牙从此终生不再鼓琴,以此来酬谢他的“知音”。
好了,我们再来参观里面的景点,大家现在看到的是一座照壁,上嵌一块石碑,石碑上刻有“印心石屋”四个大字。这四个大字是道光皇帝亲笔提写,并赠于两江总督陶澍的。陶澍是湖南安化人,从政时善用人才,体恤民情,兴办水利,深得百姓拥戴,据说他隐退后曾在琴台建了一座石屋寄居。道光皇帝赐“印心石屋”四个大字,意思是和他心心相印。照壁东侧那个小门,门额上的“琴台”二字则是宋代著名书法家米芾所书。
大家或许会很奇怪,这儿为什么会有这么多老人呢?告诉大家,这是汉阳琴台退休工人俱乐部,是退休工人活动的场所。1956年,武汉市人民政府拨款重修古琴台,并以琴台为中心,修建了汉阳工人文化宫。至80年代,文化宫和古琴台又经扩建,成为一座有相当规模的综合性娱乐场所。所以老人们经常来到这里,三五成群,或下棋,或打牌,或饮茶聊天,或看地方戏。不过这里的戏剧舞台是人人都可以上台一显身手的。他们就在知音的发源地,用音乐来沟通和交流。我们当中有没有哪位小姐或先生愿意上台露一手的,给大家来段京剧或楚剧什么的,这些戏迷们一定会为找到你们这些远道而来的“知音”而欣喜万分的。
好,我们现在到了碑廊,这里,镌有历代石刻及重修琴台碑记。其中有一道题壁诗为道光三年(即公元1826年)岭南才子宋湘束竹叶蘸墨书写,其诗曰:“噫嘻呼,伯牙之琴何以忽在高山之高,忽在流水之深?不传此曲愁人心!噫嘻乎,子期知音,何以知在高山之高,知在流水之深?古无文字直至今。是耶?非耶?相逢在此,万古高山,千秋流水,壁上题诗,吾去矣!”这就是被誉为诗书双绝的宋湘题壁诗。宋湘是广东梅县人,曾任湖北督粮道台,他在七十八岁那年,因眷恋琴台,前来一游,游后,他感慨万千,兴之所至,欲挥毫吟诗。因当时随员未备大笔,即束竹叶代之。他饱蘸浓墨,在壁上洋洋洒洒,如走龙蛇,写下了这首流传至今的题壁诗。后人摹刻在石上,保存下来,成为书法珍品。
各位朋友,你们现在看到的这座用汉白玉筑成的石台,就是伯牙台,相传是当年伯牙鼓琴的地方。它高1.75米,石台上刻有“琴台”二字和“伯牙抚琴图”。石台四周用石栏围砌,栏板上刻有“伯牙摔琴谢知音”的浮雕图,这是清代遗物。
斜对面那幢富丽堂皇、额坊上写有“高山流水”四个字的高大建筑就是“高山流水馆”,它是古琴台的主体建筑。我看见很多朋友都拿出了照相机准备照相,确实这里是拍照留影的最佳处。但大家都不要急着拍照,等我讲解完,我会安排时间给大家照相的,好吗?我们先到那座“伯牙会子期”的雕像那儿参观。大家能不能告诉我哪位是伯牙,哪位是子期啊?对,这位鞠躬拱手的是伯牙,另外一位就是子期了。这个雕像表现了俞伯牙遇到知音时的钦佩欣喜之情。
好了,我们的讲解结束了。大家现在可以开始拍照了。我给大家半个小时的拍照时间,半个小时以后大家就在这里集合。谢谢大家!
古琴台始建于北宋时期,相传,春秋时期楚国琴师俞伯牙在此鼓琴抒怀,山上的樵夫钟子期能识其音律,知其志在高山流水,伯牙便视子期为知己。几年以后,伯牙又路过龟山,得知子期已经病故,
悲痛不已的他即破琴绝弦,终身不复鼓琴。后人感其情谊深厚,特在此筑台以纪念。古琴台东对龟山、北临月湖,湖景相映,景色秀丽,幽静宜人,文化内涵丰富,构成一个广阔深远的艺术境界。[1]
清朝嘉庆初年,湖广总督毕沅主持重建古琴台,请汪中代笔撰《琴台之铭并序》(一说为《汉上琴台之铭并序》)和《伯牙事考》。光绪十年(公元1884年),黄彭年撰《重修汉阳琴台记》。光绪十六年(公元1890年),杨守敬主持并亲自书丹,将《琴台之铭并序》、《伯牙事考》、《重修汉阳琴台记》重镌立于琴台碑廊之中,并书“古琴台”三字刻于大门门楣。
古琴台文化内涵丰富,仅碑廊内就存有《汉上琴台之铭并序》、《伯牙事考》等碑刻,其中有清代书法家宋湘束竹叶蘸墨书写《琴台题壁诗》,既有文学价值,又是难得的书法珍品。古琴台占地约1公顷,掩映在湖光山色、疏林繁花之中,瑰丽多姿,风光明媚,很值得一游。
到古琴台游览,进大门,过小院,出茶院右门,迎门是置于黄瓦红柱内的清道光皇帝御书“印心石屋”照壁,用阴阳笔法刻镌而成,远看凸突而出,近看凹陷而入。照壁东侧有一小门,门额“琴台”二字,据传出自北宋著名书法家米芾之手。进门后为曲廊、廊壁立有历代石刻和重修琴台碑记。再往前便是琴堂,又名友谊堂,是一栋半檐歇山顶式前加抱厦的殿堂,面宽三间,四周回廊,砖木架屋,釉瓦盖顶,彩画精丽,金碧辉煌。檐下匾额上书“高山流水”四字。堂前庭院中有汉白玉筑成的方形石台,传为伯牙抚琴遗址。台的中央刻有相传为北宋书法家米芾所书“琴台”二字的方碑,四周台壁上饰以连续浮雕,为伯牙摔琴谢知音的故事,镌刻十分精美,形象生动逼真。
古琴台,又名伯牙台,位于汉阳龟山西麓,月湖东畔,是为纪念俞伯牙弹琴遇知音钟子期而修建的纪念性建筑。古琴台始建于北宋,后屡毁屡建。清嘉庆初年,湖广总督毕沅主持重建古琴台,清汪中代笔撰《琴台之铭并序》和《伯牙事考》,此文颇为时人称道。光绪十年(1884年)黄彭年撰《重修汉阳琴台记》。光绪十六年(1890年),杨守敬主持并亲自书丹,将《琴台之铭并序》、《伯牙事考》、《重修汉阳琴台记》重镌立于琴台碑廊之中,并书“古琴台”三字刻于大门门楣。古琴台建筑群占地15亩,规模不大,布局精巧,主要建筑协以庭院、林园、花坛、茶室、层次分明。
院内回廊依势而折,虚实开闭,移步换景,互相映衬。修建者充分利用地势地形,还充分运用了中国园林设计中巧于“借景”的手法,把龟山月湖山水巧妙借了过来,构成一个广阔深远的艺术境界。到古琴台游览,进大门,过小院,出茶院右门,迎门是置于黄瓦红柱内的清道光皇帝御书“印心石屋”照壁。
照壁东侧有一小门,门额“琴台”二字,据传出自北宋著名书法家米芾之手。进门后为曲廊、廊壁立有历代石刻和重修琴台碑记。再往前便是琴堂,又名友谊堂,堂前庭院中汉白玉筑成的方形石台,便是象征伯牙弹琴的琴台。